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#1 2009-06-09 13:22:32

Emeera Moon
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Registered: 2008-08-10
Posts: 109

First draft of one of the scripts..

This is based on the Zen story with Haikun called "Oh is that so!" Original story down below followed by  the first draught of script:

Is That So?

The Zen master Hakuin was praised by his neighbors as one living a pure life.
A beautiful Japanese girl whose parents owned a food store lived near him. Suddenly, without any warning, her parents discovered she was with child.
This made her parents very angry. She would not confess who the man was, but after much harassment at last named Hakuin.
In great anger the parents went to the master. "Is that so?" was all he would say.
After the child was born it was brought to Hakuin. By this time he had lost his reputation, which did not trouble him, but he took very good care of the child. He obtained milk from his neighbors and everything else the little one needed.
A year later the girl-mother could stand it no longer. She told her parents the truth - that the real father of the child was a young man who worked in the fishmarket.
The mother and father of the girl at once went to Hakuin to ask his forgiveness, to apologize at length, and to get the child back again.
Hakuin was willing. In yielding the child, all he said was: "Is that so?"

--------

First draught of the script: OH IS THAT SO?

Characters: H  (person who plays a similar role as Haikun, maybe a respected male in this type of soceity?)
                   16 year old girl
                   Mother
                   Father
                   16 year old boy the girl slept with?
                   Baby

Setting, a Village, or suburban area:

Character Modled after Haikun, (H for short) is seen in a few different situations, showing him living a pure and virtorous life. Some “shots” of people praising him.

Cut to:

Two parents with a young attractive 16 year old girl in their living room. The girl has head down looking ashamed as her parents are questioning her:

Mother
So are the rumours true? Are you really pregnant?

Girl
Yes

The girl takes off her bulky overcoat jacket and goes to rub her tummy which has a bit of a bulge.

Mother (sighs)
Lisa-Marie, I thought you would of known better then that!

Father
Your only 16 years old! And barely able to look after your own pet! How do you expect to look after a child?

Girl (starts to get upset)
I know, I didn't mean for it to happen... it was an accident....

Father (angrily)
Some kind of accident!
(pause)
Who was the man that did this to you?

Girl
(remains silent)

We see a flash in the girls mind of an image of the boy she fornicated with ( a local restaurant waiter) as image of him flashes in her head.


Mother
Answer your father! Who was it!

The girl shakes her head defiantly, refusing to say who the man was.

The father walks towards the girl and grabs her by the shoulders.

Father (very irrate)
Who was it, who was the man... who did this to you?

Girl wont look her father in her eyes, she looks towards a newspaper article on the nearby table theirs a big picture of H with a heading of “Raising money for Homeless”)

Girl
(in desperation, blurts out)
H, It's H!

Cut to:

H doing some kind of good deed in his home. Looking peaceful, and content.

Suddenly there is a pounding bang upon his door, mainting his composure and not in the least bit ruffled, he goes to see who is at the door.

H opens the door and standing outside are the parents of the girl, looking furious at him.


Mother
We trusted you! You are supposed to be an upright honourable man! How could you be so irresponsible.

Father
I'm in half a mind to strike you down, H, what a disgrace you are!
(spits)
When the baby is born, expect it to be brought to you!

Mother
Pretty soon not one single person in this town will be able to still say they hold any respect for you whatsoever!

H
(not at all fussed by the scene)
Oh... is that so?


Infuriated the parents walk away.

Cut to

Three months later

H returns home, looks in his letterbox, someone has left some abusing words.

He continues towards his door, when suddenly the girls father appears beside him.

He hands the child too H.


Father
Here! He's your responsibility now!

The father angrilly storms away.

H looks towards the little baby grinning, and gently touches its face.

Montage sequence:

H goes about his daily life, caring for the baby, feeding it when its hungry with milk, changing its nappy etc. His reputation is ruined, newspaper article displays his disgrace, he is verbally abused when buying milk from the local shops etc..

Cut to: 1 year later

The girl is sitting in the park looking miserable, suddenly she see's H walking happily past with the baby, she see's some women nearby looking over disapprovingly at him, some hoons driving pass in the car try and throw something at him. But H walks on non-fussed.

The girl begins to feel guilty.

Cut to:

Girl sitting on the couch with her parents.

Girl
Mother, father... I have something to tell you, H, is not really the child's father...

Fade out..

Fade in.

H is in his house playing with the baby when he hears a knock at the door.

He goes to open it, and at the door he see's three shamed-face looking people, the girl and her parents.

Father
(clears his throat)
Lisa-Marie tells us that you are not actually the father of the child.

Mother nudges Lisa-Marie forward.

Lisa Marie
I'm so sorry... I didn't realise it would end up like this, and your reputation would be so ruined. (cries)... and I want to hold... my baby!

Mother
We are so sorry for all the trouble we have caused for you, if there is anyway we can make it up to you please let us know...

Father
(humbled)
I have said some  terrible things about you to people around town, I apologise, and will make sure that everybody knows that you were never really the father! Believe me!

H
Oh... is that so?

H hands the child to its biological mother.

The girl smiles down towards her baby.

The parents and girls leave... and H, walks back inside to continue his task.

---

So any comments. feedback? Its only rough at the moment. I thought we should set it in modern times, I mean we dont have the money to create an authentic ancient japan set, and also, if the script is only based on and inspired upon the old version, that would cover us from any potential copyright problems (if in the rare case their happens to be with old Zen tales!)

I think the trickiest part is trying to work out how the "oh is that so" line fits in with the other dialogue without sounding just out of place... perhaps the line could be changed to another such as "If thats what you think is best" or something like that????

- Emeera

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#2 2009-06-09 15:35:21

Jai Pamnany
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Registered: 2008-08-10
Posts: 103

Re: First draft of one of the scripts..

Excellent. One thing I feel is that the audience shouldn't know H is not the father until the end, so the flash in her mind of sleeping with the fishmonger near the beginning might be re-thought.

Also the title might be better as something more ambiguous so when H says, "is that so?" the audience isn't expecting it. Perhaps something like 'Baby Blues'.

A Japanese setting would be nice though. Then the production would also have the appeal of the Orient along with the curious enlightening story.

There is a Japanese garden in Adelaide, we know some Japanese people. We'd just need to find some appropriate interior designed houses. We could mix Australian and Japanese actors.


we cannot control the things life does to us. They are done before you know it. And when they are done, they make you do other things. Until at last everything comes between you and the man you wanted to be.

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#3 2009-06-09 19:22:55

Emeera Moon
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Registered: 2008-08-10
Posts: 109

Re: First draft of one of the scripts..

"excellent. One thing I feel is that the audience shouldn't know H is not the father until the end, so the flash in her mind of sleeping with the fishmonger near the beginning might be re-thought."

Yes I pondered this myself, in the end I decided to let the audience know H wasnt the father, because I thought it would put their attention on the fact that H is not trying to defend himself in anyway, so they realise from the beginning - this is a man who shows great detachment - seeing the aim of the story is to show people how  an enlightened detached response would be to phenomena.

I guess the question I wonder is, what drives that point home better? Is it better for the audience to know H is the father, or is it better for them to not know until the end?

I thought if the audience knew it at the start their reaction would be one of "gheez why isnt he saying anything! he's not really the father, he should be defending himself!"... then they would be brought to question the point of being attached to things like reputation, through the whole story. If they dont know to the end then they only really focus on him being detached when a good thing happens?

"Also the title might be better as something more ambiguous so when H says, "is that so?" the audience isn't expecting it. Perhaps something like 'Baby Blues'."

Yeah I think perhaps the title could be different, though I think the title should reflect the lesson of the story which is detachment, calling it "baby blues", might be okay if we were doing a clever arty piece, but I feel its a bit misleading to call it that, and we are not really aiming to put the audience in "suspense" but to lead them to a state of higher awareness.

As far as japanese actors goes i thought it might be a bit hard to find, particuarly for the parents of the girl, we'd have more luck getting westerners for that role, unless you can locate some people who are Japanese being the asian whisperer...

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#4 2009-06-09 20:55:48

Todd
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From: Adelaide
Registered: 2008-08-11
Posts: 160

Re: First draft of one of the scripts..

I trust you guys are able to give some good ideas and thoughts to this, at the moment it's a lot to read and reply to and I have other things I am needing to do at the moment. Sounds good so far. I think for this part of the project I will be more of a sideliner for now, this may change in the future.


The four essentials of human life - silence, breath, song, and dream.

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#5 2009-06-10 16:11:33

Jai Pamnany
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Registered: 2008-08-10
Posts: 103

Re: First draft of one of the scripts..

Stories have more impact when you don't fully understand what is going on along the way. You make judgments which turn out to be faulty, and learn the truth of the story only at the end, which was starring you in the face all along but you couldn't see.

An example of this is the movie 'Chinatown', when you find out the woman whom the viewer is kind of annoyed and angered by, is actually the daughter AND the sister, at which time you suddenly understand her, feel sorry for her and are humbled (ashamed?) because you judged her so harshly before.


we cannot control the things life does to us. They are done before you know it. And when they are done, they make you do other things. Until at last everything comes between you and the man you wanted to be.

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#6 2009-06-10 23:44:31

Emeera Moon
Administrator
Registered: 2008-08-10
Posts: 109

Re: First draft of one of the scripts..

Jai, Todd also agrees though he didnt say that it drives the "detachment"  point home better if the audience knows from the start.

I dont agree that stories have more impact when you dont understand along the way, I dont think you can say that is a general rule, everyone responds differently to things, for some that may be true, but for others not. Personally I think its of no consequence as to whether I understand or not, it doesnt really play a part in impact for me.

With this story it requires that the story best reflects the "enlightened" experience. In the original story you know at the start the zen master is not the true father, WHY?, because the purpose is to make the viewer see the enlightened quality of detachment from early on in the story, they see how one responds DETACHED when bad things are thrown ones way, and then at the end they also see how one responds DETACHED when good things are thrown ones way.

This is very important in keeping with the spiritual message of the story.

The example you give is a completely different story, in this story, the audience is not being lead to focus on non-judgementalness - but on "detachment."

This is very important for people to learn in soceity to not be attached to their reputation.

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#7 2009-06-10 23:50:20

Emeera Moon
Administrator
Registered: 2008-08-10
Posts: 109

Re: First draft of one of the scripts..

Its important when thinking of a script for these sorts of stories to really hone in on what the main "teaching" point is, and center the film around supporting that main teaching point, and not getting side tracked by general rules about how people should relate to stories - after all we are attempting to re-program people away from things that lack substance, and towards things that have true depth.

Centering a story around the true depth of an "enlightened" quality, I think takes precidence with this sort of project.

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#8 2009-06-11 21:58:04

Todd
Administrator
From: Adelaide
Registered: 2008-08-11
Posts: 160

Re: First draft of one of the scripts..

Yeah I do agree with Emeera on this one. I also think 'story' as a form of expression should not be confined to rules, I think the rules are written into each unique story, which is up to the story teller to orchestrate.
Nonetheless, it is good to hear different points of view so that we don't entirely think we are thinking inside the square that is no square of Zen.

Peace.
Todd.


The four essentials of human life - silence, breath, song, and dream.

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#9 2009-06-12 01:49:42

Jai Pamnany
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Registered: 2008-08-10
Posts: 103

Re: First draft of one of the scripts..

is that so?


we cannot control the things life does to us. They are done before you know it. And when they are done, they make you do other things. Until at last everything comes between you and the man you wanted to be.

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#10 2009-06-12 12:26:54

Todd
Administrator
From: Adelaide
Registered: 2008-08-11
Posts: 160

Re: First draft of one of the scripts..

Good to see you practicing your lines jai!


The four essentials of human life - silence, breath, song, and dream.

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#11 2009-06-22 22:43:15

Emeera Moon
Administrator
Registered: 2008-08-10
Posts: 109

Re: First draft of one of the scripts..

Im taking a break momentarily from expending mental energy on this while i finish the tassie docco which is why i haven't addressed it for awhile, but I hope to have finished by the end of this week, and then can look more fully into fleshing this out.

Marije has said that we can probably use Blake as the baby.
Jai, Im not sure which role you would be considering?

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#12 2009-06-25 13:58:26

Jai Pamnany
Administrator
Registered: 2008-08-10
Posts: 103

Re: First draft of one of the scripts..

i would like to audition for a few roles and will be happy with whichever one I'm given based on my performance.


we cannot control the things life does to us. They are done before you know it. And when they are done, they make you do other things. Until at last everything comes between you and the man you wanted to be.

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